基于图像学视角分析重庆三峡博物馆徐悲鸿《奔马图》

Analysis of Xu Beihong’s Galloping Horse in Chongqing China Three Gorges Museum from Theperspective of Iconology

重庆中国三峡博物馆是国家一级博物馆,博物馆内藏品丰富,其中展厅陈列徐悲鸿原作《奔马图》,近观原作实是震撼。为了更丰富其观摩体验,更深刻地解读经典名作《奔马图》,文章结合潘诺夫斯基的图像学相关原理中的三个不同层面——前图像志阶段、图像志阶段、图像学阶段来分别解读《奔马图》的视觉图像与背后的文化寓意以及作品所涵盖的象征意义和美学价值,为观者解读《奔马图》提供不同思路。

Chongqing China Three Gorges Museum is a national first-class museum with a rich collection. In order to enrich its observation experience and interpret the famous golden book Galloping Horse Map more deeply, this paper will analyze the visual image and the cultural implication behind the Galloping Horse Map and the symbolic meaning and aesthetic value covered by the works in combination with three different aspects of the related principles of image science.