生成、表面与艺术:德勒兹事件理论探赜

Generation,Surface,and Art:a Probe into Deleuze’s Event Theory

德勒兹的事件理论,依据程度深浅而具有斯多噶哲学、尼采哲学、德里达哲学与怀特海哲学这四重主要思想来源。他用事件消解形而上学的因果论窠臼,借助“准原因”概念将分歧界说为某事件之果与另一事件之因在一个序列中的并存,从这种分歧中的综合及动词化语言出发,探讨虚拟对现实的事件性生成,展开事件的表面与感觉方面,围绕“形象”与“无器官的身体”等要素,深刻阐释了艺术从事实向事件转化的进程。

Deleuze's event theory stemmed from four sources of thoughts:Stoicism,Nietzscheanism,Derrideanism,and Whitehead's philosophy.Deleuze used the event to deconstruct causality and the idea of quasi-cause to defi ne bifurcation as the coexistence of the effect of one event and the cause of another in a sequence of events,and,starting from the synthesis of bifurcation and its language of verbs,discussed how the virtual generates the events of the reality,explored the surface and feelings of event,and examined the transformation of art from facts to events from the perspective of the image and the body without organs.