摘要
人体既然是舞蹈艺术的感性材料,它理所当然地成为舞蹈美学的逻辑起点,而这个人体不是身心分离的人体,是在意识支配下的一个整体,因此舞蹈美学研究必须坚持身心一元论。只有坚持身心一元论,才能准确地把握舞蹈艺术的本质特性,也才能防止舞蹈训练滑向单纯的技术技能的道路上去。对原始舞蹈的生命意识、宗教意识、象征意识、社会意识与审美意识作考察,以探寻舞蹈最本质的意义,将舞蹈美定义为“意识的肢体表现”。
As the sensual material of dance,the human body becomes the logical starting point of dance aesthetics.It is not a body isolated from the mind but a whole under the control of the human consciousness.Therefore,studies in dance aesthetics shall insist on monism in the mind-body problem to grasp the essence of dance art and prevent dance training from focusing merely on techniques and skills,and shall examine the life consciousness,religious consciousness,symbolic consciousness,social consciousness,and aesthetic consciousness of primitive dance to explore the nature of dance and defi ne the beauty of dance as"the somatic expression of the mind".
作者
吕艺生
LYU Yisheng(Beijing Dance Academy,Beijing 100081)
出处
《文化艺术研究》
2021年第2期55-62,113,共9页
Studies in Culture and Art
关键词
逻辑起点
身心一元论
意识的肢体表现
舞蹈美学
logical starting point
mind-body monism
the somatic expression of the mind
dance aesthetics