女性主义电影叙事的新道路——以女性形象解构视觉愉悦

New road of feminist film narration-Deconstructing visual pleasure with female images

在传统电影中由于话语权的缺失,致使女性形象丧失主导地位,呈现出单调、统一的特性。为了探究女性形象在女性主义电影中的重要性,采用穆尔维的女性主义电影理论,以《跳舞,女孩,跳舞》和《伯德小姐》为例,讨论了这一话题的两个维度:一是女性形象如何通过女性的成长故事成为电影叙事主体;二是女性形象之间的关系叙事如何打破父权秩序,阐释了父权社会无意识对传统电影的影响及女性主义电影如何通过叙事解构视觉愉悦。由此得出:女性形象是女性主义电影叙事的核心元素,以女性形象解构视觉愉悦,是为女性主义电影叙事开辟了一条新的道路。

;Owing to lack of discourse power in traditional films,female images have been losing the dominant position and have presented a monotonous and unified characteristic.In order to explore the importance of female images in feminist films,two dimensions of this subject were examined on the basis of Mulvey’s Feminist Film Theory by exemplifying Dance,Girl,Dance and Lady Bird-,on one side,how female images have dominated film narration by feminist coming-of-age story;on the other side,how female images and their relationships have broken the patriarchal order.It expounded how the unconsciousness of a patriarchal society has influenced traditional films and how feminist films have deconstructed visual pleasure with narration.It is concluded that female images,as the core element of feminist film narration,have opened up a new road for the narration of feminist films by deconstructing visual pleasure.