摘要
钢笔画因其绘画语言体系的匮乏而不能进入艺术家视野形成独立大画种,但其绘画视觉语言的建构与创新应具有技术与绘画形式语言跨界融合的可能性。从不同时间、空间、艺术语言的角度来探析钢笔画是如何构筑视觉世界,又以何种模式、风格再现对象,从而提出钢笔画艺术语言的未来创新性构想。以具有传统写实性、象征性、寓意性等代表性的钢笔画作品为例,探究钢笔画艺术语言对"新"钢笔画创作行为与结果的决定性作用。未来,钢笔画不仅需要在形式上的突破,更需要结合其他艺术门类,加入材料、影像、科技等现代化手段与多重绘画形式语言融合,建立起自己独特的艺术领域来再现思想、概念、态度、情感、幻想、象征甚至抽象形式,才能使画面呈现出不同于传统意义钢笔画的视觉格局。
Pen-and-ink painting cannot enter the vision of artists to form an independent major type of painting owing to lack of its painting language system,but the construction and innovation of its painting visual language should have more possibilities of interdisciplinary integration between technique and formal language of painting.From the perspectives of different time,space and language,the paper probed into how pen-and-ink painting constructed a visual“world”,and in which modes and styles it reproduced objects,so as to put forward an innovative conception of pen-and-ink artistic language in the future.Taking traditional pen-and-ink painting works represented with realism,symbolism and allegorical nature as examples,this paper explored the decisive role of the artistic language of pen-and-ink painting on the creative behavior and result of“new”pen-and-ink painting.In the future,pen-and-ink painting not only needs to make breakthroughs in the form,but also needs to combine with other art categories and add modern means such as materials,images,science and technology.It ought to integrate with multiple formal languages of painting to establish its own unique art field to reproduce ideas,concepts,attitudes,feelings,fantasies,symbols and even abstract forms,so that the picture can present a visual pattern different from the traditional meaning of pen-and-ink painting.
作者
蔡靓
CAI Liang(School of Civil Engineering and Architecture,Zhejiang University of Science and Technology,Hangzhou 310023,Zhejiang,China)
出处
《浙江科技学院学报》
CAS
2021年第2期156-162,共7页
Journal of Zhejiang University of Science and Technology
关键词
钢笔画
艺术语言
写实性
创新性
再现
pen-and-ink painting
artistic language
realism
innovative
reproduction