摘要
《刺杀小说家》具有"作者"风格,"寓言化"表意的特点。影片以超现实的"假定性"结构,设置了现实与虚拟的平行世界,进行双重叙事,打造了现实与异世界交织的奇幻美学。影片的想象力消费融合了电影、小说、游戏、动漫等诸多媒介。影片挑战尖端拍摄技术,实现标准化的工业流程,且与美学结合,汇聚成独特的艺术品格和丰厚的美学及哲理意蕴。
A Writer’s Odyssey is characterized by an"authorial"style and represented by"Allegorization".The film uses surreal"hypothetical"structure to set up a parallel world between reality and virtual world and uses dual narrative to create a fantasy aesthetic of interweaving reality and virtual world.The imaginative consumption of the film combines multi-media such as film,fiction,games,animation;the film uses high technology of filming as a challenge,to achieve a standardized industrial process,but also combines with aesthetics and converges into a unique artistic character and an abundant aesthetic and philosophical meaning.
出处
《电影艺术》
CSSCI
北大核心
2021年第2期86-88,共3页
Film Art
基金
国家社科基金艺术学重大招标课题“影视剧与游戏融合发展及审美趋势研究”(批准号:18ZD13)前期成果。
关键词
双重世界
想象力消费
作者性
寓言化
工业美学
parallel world
imaginative consumption
authorship
allegorization
industrial aesthetics
