摘要
论及"孤岛电影",绕不开"双胞案"。"双胞案"只反映了"孤岛"影坛的一个阶段性特征,不宜用来定义常态化的"孤岛"影坛。"双胞案"的形成,有着极为特殊而复杂的原因:国片外埠市场的变动、"孤岛"影坛的内部矛盾、不期而至的战事(以及由此导致的经济动荡),乃至来自"大后方"的抵制等。"双胞案"固然风评甚差,不为世人所容,但其后的解决路径与效果,却可彰显出"孤岛"影坛亦不乏自律的一面,似不可一概否定。
When we touch upon"Solitary Island films",the"Shuangbao Case"can’t be avoided,the"Shuangbao Case"only reflects a periodical characteristics of the"Solitary Island"film world,which should not be used to define as a normalized"Solitary Island"film world.The formation of the"Shuangbao Case"also has very special and complicated reasons:changes in the foreign markets,the internal contradictions of the"Solitary Island"film world unexpected wars(and the resulting economic turmoil from the wars)and even from the"rear area"boycott,etc.Although the"Shuangbao Case"has a poor reputation and is not accepted by the people,the subsequent solution path and effect can demonstrate that the"Solitary Island"film industry also has a self-discipline side,and it seems that it can’t be denied.
出处
《电影艺术》
CSSCI
北大核心
2021年第2期154-160,共7页
Film Art
基金
国家社科基金艺术学项目“日本所藏抗战时期中国电影史料的整理与研究”(批准号:17BC041)阶段性成果。
关键词
“孤岛”影坛
双胞案
民间故事片
舆论
电影公会
Solitary Island film
Shuangbao Case
folk feature film
public opinion
film association