蒋孔阳“美是多层累的突创”命题与中国当代美学

Jiang Kongyang’s Proposition of“Beauty Is Cumulative Emergence”and Contemporary Chinese Aesthetics

蒋孔阳的《美学新论》提出了“美是多层累的突创”的命题。这一命题对中国当代美学的发展具有开创性和创新性意义,至今仍然具有指导意义。蒋孔阳的“美是多层累的突创”主张美的生成论,反对美的预成论,把美放在实践中的审美关系中进行动态考察,颠覆了美学的静止观点理论;蒋孔阳的“美是多层累的突创”主张美的多层累论,反对美的单一构成论,解构了美学的一成不变论;蒋孔阳的“美是多层累的突创”主张美的量变到质变的突创论,反对美的生物进化论,拆卸了美学的自然生命论。这个命题坚持、丰富、发展了美学的辩证唯物论,仍然具有现实意义。我们应该继承和发扬蒋孔阳的“美是多层累的突创”的命题,在百花齐放的学术讨论中,坚持唯物辩证法,反对形而上学,推进中国当代美学的繁荣发展。

Jiang Kongyang’s New Theory of Aesthetics puts forward the proposition that“Beauty is Cumulative Emergence”.This proposition is of pioneering and innovative significance to the development of contemporary Chinese aesthetics,and still has guiding significance.Jiang Kongyang’s“Beauty is Cumulative Emergence”advocates the theory of beauty generation,opposes the theory of beauty preformation,puts beauty in the aesthetic relationship in practice,and subverts the static theory of aesthetics.Jiang Kongyang’s“Beauty is Cumulative Eemergence”advocates the multi-layered theory of beauty,opposes the single composition of beauty,and deconstructs the invariance of aesthetics.Jiang Kongyang’s“Beauty is Cumulative Emergence”advocates the quantitative change of beauty to qualitative change,opposes the theory of biological evolution of beauty,and disassembles the theory of natural life of aesthetics.This proposition adheres to,enriches and develops the dialectical materialism of aesthetics,and still has practical significance.We should inherit and carry forward Jiang Kongyang’s proposition of“Beauty is Cumulative Emergence”,and in the academic discussion,we should adhere to materialist dialectics,oppose metaphysics,and promote the prosperity and development of contemporary Chinese aesthetics.