摘要
就中国南北朝到五代的家具史研究而言,敦煌图像是十分重要而具有特色的资料,值得加以系统而深入的研究。《敦煌壁画中的家具图式研究》主要研究敦煌家具图式的演变模式,即敦煌家具图像如何形象而系统地展现了低坐家具图式的延续、本土家具图式的发展、高坐家具图式的进入、外来家具图式的汉化以及特色家具图式的创新,并探索建构图像学的新方法,实践图像学研究的本土化,剖析敦煌家具图像内容的意义场域、敦煌家具图式的构成形态,通过综合研究,呈现敦煌家具图式的生成轨迹,探索重建历史原境。通过特色图式与文化建构的交互,来实施敦煌家具研究的空间拓展。
When it comes to the study of furniture history from the Southern and Northern Dynasties to the Five Dynasties,Dunhuang images are very important and characteristic materials,which are worthy of systematic and in-depth study.Research on Furniture Schema in Dunhuang Murals mainly studies the evolution mode of Dunhuang furniture schema,that is,how Dunhuang furniture images vividly and systematically witnessed the continuation of low sitting furniture schema,the development of local furniture schema,the entry of high sitting furniture schema,the sinicization of foreign furniture schema,and the innovation of characteristic furniture schema.It explored new methods of constructing iconology and carried out the localization of iconology research.Meanwhile,it analyzed the meaning field of Dunhuang furniture image content and the composition form of Dunhuang furniture schema.By comprehensive study,the project presented the generation track of Dunhuang furniture schema and explored the reconstruction of historical scenario.We can thus expand the Dunhuang furniture research via the interaction of distinctive schema and cultural construction.
出处
《家具与室内装饰》
北大核心
2021年第4期1-4,共4页
Furniture & Interior Design
基金
国家社科基金艺术学项目《敦煌壁画中的家具图式研究》(16BG104)。
关键词
敦煌家具
特色图式
文化建构
拓展
饶宗颐
Dunhuang Furniture
Distinctive Schema
Cultural Construction
Expansion
Rao Zongyi