摘要
经过20余年的发展,新中式家具取得了不少成绩,但也存在一些误区。特别是在民族性和时代性方面,二者经常失衡。面对可持续发展要求,新中式家具不仅要传承中国特色的艺术形式、审美情趣,而且也要创新中华民族特有的哲学思维、精神气质,并且还要与当前的社会需求和设计潮流相契合。因此,在设计思路上,新中式家具不仅要坚持生命周期的整体可持续,而且也要坚持主体文化的中国性和审美文化的意境性,甚至还要充分融合和谐设计理念,通过理顺人、产品、社会及自然之间的关系,进而推动新中式家具在各个领域的可持续发展。
After more than 20 years of development,new Chinese style furniture has made many achievements,but there are also some misunderstandings.Especially in terms of national characteristics and time characteristics,imbalances often occur in the design process.Facing the requirements of sustainable development,new Chinese furniture must not only inherit the artistic form and aesthetic taste with Chinese characteristics but also innovate the unique philosophical thinking and spiritual temperament of the Chinese people.It should be made compatible with the current social needs and design trends.Therefore,in terms of design ideas,new Chinese furniture must not only adhere to the overall sustainability of the life cycle but also manifest the Chinese style and the artistic conception.What’s more,it must fully apply the concept of harmonious design by straightening out the relationship between multiple factors including people,products,society,and nature.By doing this,the sustainable development of new Chinese furniture in various fields will be promoted.
出处
《家具与室内装饰》
北大核心
2021年第4期38-42,共5页
Furniture & Interior Design
基金
2018年广东省教育厅普通高校青年创新人才项目(2018WQNCX173)阶段性研究成果
2019年广东省教育厅普通高校特色创新类项目(2019WTSCX107)阶段性研究成果
惠州学院自主创新能力提升计划项目资助(hzu201808)阶段性研究成果
惠州学院2019年教学成果培育项目(惠院发[2020]15号)阶段性研究成果。
关键词
新中式家具
可持续设计
设计困境
设计理念
中国文化
New Chinese furniture
Sustainable design
Design dilemma
Design concept
Chinese culture