摘要
张恨水以“冲淡其表,浓烈其里”的文风创作出抗战语境下的“山窗”系列小品。文章通过分析《山窗小品》的“小品体式”,指出其不重宏大叙事而专言日常琐屑、不尚空洞说教而崇言之有物、多种手法活用、甜酸苦辣味儿并存等特点,为当代小品文的创作提供了镜鉴。
With the style of“diluting the exterior and strengthening the interior”,Zhang Henshui created a series of“Shanchuang”sketch-styled essays in the context of Anti-Japanese War.This paper analyzes the“sketch style”in Shanchuang Sketches Books,and points out that Zhang Henshui does not emphasize grand narration,but focuses on daily trivial;he does not advocate empty preaching but describes meaningful things;he resorts to various techniques,and expresses various emotions etc.All these provide lessons for the creation and prosperity of contemporary essays.
作者
芮立祥
汪全红
RUI Lixiang;WANG Quanhong(Popular Literature and Zhang Henshui Research Center,Chizhou University,Qianshan 246300,China;Qianshan Municipal Party School,Qianshan 246300,China)
出处
《苏州教育学院学报》
2021年第2期83-87,108,共6页
Journal of Suzhou College of Education