浅析《末代皇帝》电影中的服装与色彩语言

Brief analysis on clothing and color language in 《the last emperor》

在表现中国文化大革命这个是非颠倒的年代上,色彩起到了暗示导演批判意图的功能。交通灯"红停绿走"的交通秩序被颠倒,预示着这个时代的黑白颠倒,正邪不分。影片的最后,溥仪一人来到故宫,这时的故宫再一次笼罩在一片红色之中,溥仪登上龙椅取出陈放蛐蛐的那个瓶子,然而出现在我们面前的是一只翠绿的蛐蛐。这点绿色,究竟是溥仪被封存的那个童年记忆还是被共产党改造后的新生,我们永远不得而知。

In the age of Chinese Cultural Revolution,color has the function of suggesting the director’s critical intention. The traffic order of traffic lights is reversed, which indicates that black and white are reversed in this era. At the end of the film, Puyi came to the Palace Museum alone, and the Palace Museum was once again shrouded in red. Puyi boarded the Dragon chair and took out the bottle where the crickets were placed. However, what appeared in front of us was a green cricket. We will never know whether this green is the sealed up childhood memory of Puyi or the new life after the transformation of the Communist Party.