碎片化叙事的性别解读及其在新世纪女性写作中的展开方式

Gender Interpretation of Fragmented Narration and Its Development in Female Writing in the New Century

碎片化叙事以文本的破碎状态与片段性构成对传统文学成规进行某种程度的颠覆与消解,并以与女性话语的特殊联系,通过非显在的隐性方式表达某种女性声音。新世纪以来的碎片化叙事有泛化蔓延之势,不但波及到王安忆、迟子建、孙惠芬等大批实力派女作家,还出现了《流年物语》《陌上》等文本中的“套娃式”碎片化叙事、“‘情景不交融’式”碎片化叙事等新的碎片化方式。碎片化叙事在传媒时代的兴盛与文学对人性深度表达的需求、信息时代的碎片化传播、差异与多元的时代审美风尚相关,并以文化建构的方式加剧了社会的感性化、阴性化特质。

Fragmented narration subverts the traditional literature rules to some extent by the fragments of the text,and expresses a certain female voice through a non-obvious recessive way with its special connection to the female discourse.Since the new century,the fragmented narration has spread generally and involves a large number of powerful female writers,including Wang Anyi,Chi Zijian and Sun Huifen,and there are also some new fragmented narration ways,such as“Matreshka”and“separate scenery and emotion”.The prosperity of the fragmented narration in the media era is related to the demand of literature for the deep expression of human nature,the fragmented dissemination in the information age,and the difference and the pluralistic aesthetic fashion of the times.Moreover,it intensifies the emotional and feminine characteristics of this society in the way of cultural construction.