诗画一体:俞平伯前期创作的美学特征

Poetry and Painting as One:the Aesthetic Characteristics of Yu Pingbo’’s Early Works

俞平伯1920年代的诗文作品具有诗画一体的美学特征。其创作受中国绘画画法的影响,追求景物描写的逼真形似,从雕琢刻镂和动态美两方面充分展示物象的生动性,又重视传达附着于物象身上的诗意与作者内在的情感体验。在具体的创作技巧上,俞平伯采用了把工笔细描法和写意画法相结合的方式进行景物写生。他在其早期作品中偏重于呈现中国传统文化的艺术情趣。

Yu Pingbo’s poetry works in the 1920s have the aesthetic characteristics of poetry and painting as one.His works were influenced by Chinese painting,pursuing the realistic resemblance of scenes,fully displaying the vividness of the objects in terms of both fine details and dynamic beauty,and also attaching importance to conveying the poetic meaning of the objects and the author’s inner emotional experience.In terms of specific creative techniques,Yu Pingbo adopted a combination of me⁃ticulous painting and free sketch to represent the scenes.His artistic interest in traditional Chinese culture is fully expressed in his early works.