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论书法真迹与复制品的审美差异——以刻帖与印刷品为例

On the Aesthetic Difference between Original Calligraphy Works and Reproductions--Taking Engravings and Printed Copies for Examples
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摘要 书法复制品是学习和普及书法的重要资料。从古代的手工摹刻到现代的机器印刷,尽管书法复制品已达到“下真迹一等”的程度,但其与原作之间仍然存在着很大的差异。本文从古今书法的复制方法入手,重点分析刻帖拓本与印刷品在线条厚度、墨色变化、气脉连贯、“贼光”显现等四个方面的审美差异。正是这些微妙的变化,影响到书法复制品的整体韵味,使其很难与真迹相媲美。 Calligraphy reproduction is an important material for learning and popularizing calligraphy.From manual copying in the ancient times to machine printing in our days,great differences between the original and its reproductions remain although the level of the latter has reached one“narrowly below the original.”Departing from a comparison between the ancient and modern copying methods,the author first analyzes the aesthetic differences between carved rubbings and printed pieces in four aspects,namely line thickness,ink color change,qi vein coherence and“thief light”appearance,before contending that it is these intangible changes that undermine the overall flavor of the calligraphy prints and thus perpetuating their quality as“below the original.”
作者 贾锦涛 JIA Jintao(School of Languages and Cultures,Chuxiong Normal University,Chuxiong,Yunnan Province 675000)
出处 《楚雄师范学院学报》 2021年第2期117-122,共6页 Journal of Chuxiong Normal University
关键词 书法真迹 复制品 刻帖 印刷品 original calligraphy work reproduction rubbing print
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