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虚构的艺术性——论《黄心大师》的“元小说”倾向

Artistry of Hypocrisy--The Tendency of“Master Huangxin”toward Meta-fiction
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摘要 施蛰存善于运用心理分析的手法对历史素材、佛教人物随意点染而成文,在20世纪30年代的创作中,文体实验意识十分明显。《黄心大师》运用高超的叙述技巧,铸就一部逼真的人物传记,在完全虚构的故事中已经出现明显的"元小说"叙事倾向,是运用现代主义创作手法与中国传统文化相结合的尝试与成果。 During 1930 s and 1940 s,modern Chinese writers discussed and tried literary creation forms.The historical novels appeared in this period were the product of this trend.Different from the writers who wrote realistically based on historical materials in the same period,Shi Zhecun was more inclined to use the psychological analysis to point out historical materials and Buddhist figures at will and write articles.The consciousness of trying is very obvious.In"Master Huangxin",he uses the superb narrative techniques to create a realistic biography.In the completely fictional stories,he has already appeared the narrative tendency of"meta-fiction".
作者 张艳 ZHANG Yan(College of Arts,Guizhou Normal University,Guiyang Guizhou 550025,China)
出处 《重庆电子工程职业学院学报》 2021年第2期94-97,共4页 Journal of Chongqing College of Electronic Engineering
关键词 虚构 元小说 黄心大师 文体意识 fiction meta-fiction Master Huangxin stylistic awareness
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