摘要
从《蜀道之上——周思源作品展》的视觉语言特色入手,首先分析了周思源油画语言的当代性特征及其文化意义,指出周思源的作品符合当代艺术的两个基本原则——艺术自律原则和自我表现的主体性原则,作品的表现形态与现代主义最典型的三种形态——形式主义、表现主义、超现实主义——都有着紧密联系;进而阐述周思源关于蜀山题材油画的基本特征:周思源关于蜀山的心灵图式是周思源个人生命体验的承载物,是他个人对客观世界的一种艺术化的解读,或者说是一种符号化的生命同构形式。它表现了生命、情感、生长、运动、情绪和所赋予生命存在特征的东西。周思源的作品以艺术的方式鲜活地记录了当下人们的生存状态和生命状态。
From the visual language of On Road Shu,the characteristics of modernity and the cultural significance in Zhou Siyuan’s oil paintings are analyzed.It is pointed out that the paintings conform to the two basic principles of modern art:self-disciplinary principle of art and the principle of subjectivity in self-expression.And the works are closely related with formalism,expressionism and surrealism in the way of expression,which embodies the painter’s interpretation of the world.They are an iconic assimilation of life with the vivid recording of people’s living condition and the status of life.
出处
《音乐探索》
2021年第1期111-114,共4页
Explorations in Music
关键词
《蜀道之上》
蜀山图示
当代性
生命状态
On Road Shu
illustration of Shu Mountains
modernity
status of life