新世纪中国电影多重话语表述中的贵州形象建构

The Image Construction of Guizhou in the Multi Discourse Expression of Chinese Films in the New Century

新世纪以前,有关贵州题材的中国电影多为国家主流意识形态话语占主导的主旋律电影。进入新世纪,随着国家文化体制改革持续深入和电影产业化实施推进,以作者话语为主导的艺术电影和以大众话语为主导的商业电影明显增多。就三种话语对贵州形象建构来说,具有明显分野:主旋律电影更多呈现的是正面化、客体化贵州;艺术电影呈现的是奇观化、神秘化贵州;商业电影呈现的是民族化、边缘化贵州。

Before the new century,most of the Chinese films about Guizhou were mainly the Main-Melody Movie which is dominated by the mainstream ideological discourse of the country.In the new century,with the continuous deepening of the national cultural system reform and the implementation of film industrialization,the number of art films dominated by the author's discourse and the commercial films dominated by the public discourse have increased significantly.As far as the three kinds of discourses are concerned,there are obvious differences in the construction of Guizhou's image:the Main-Melody Movie presents more positive and objective Guizhou;the artistic films present the Spectacular and mysterious Guizhou;and the commercial films present the nationalized and Marginalized Guizhou.