摘要
民国时期,艺术话语权力体系被重构,现代艺术教育机构成为其中重要的利益相关者。当时的艺术院校、艺术博物馆、艺术社团等都担负起了艺术教育的作用,故聚焦于北平古物陈列所下设的国画研究室,以黄宾虹为切入点,关注其北平时期教育者的身份。通过研究黄宾虹与国画研究室其他导师的交游,可还原国画研究室的教育思想和理念,并探究国画研究室对于民初北平艺术教育体系的影响。
In the period of the Republic of China,the system of art discourse power was reconstructed and modern art education institutions became one of stakeholders.As art academies,art museums and art associations played a vital role in art education at that time.This paper focuses on the Chinese Painting Research Office subordinated to Peking Museum of Antiquities and takes Huang Binhong,an educator in the Republican of China,as the starting point of the research.Through the study of the social communication between Huang Binhong and other supervisors in the Chinese Painting Research Office,this paper aims to restore the education thoughts and concepts of the office,and explore the influence to Beijing s art education system in the early Republican of China.
作者
阳烁
YANG Shuo(Chinese National Academy of Arts,Beijing 100029,China)
出处
《美育学刊》
2021年第3期109-116,共8页
Journal of Aesthetic Education
基金
国家社会科学基金项目“艺术社会学视阈下的中国艺术中介机制研究”(18BGL281)的阶段性成果。
关键词
黄宾虹
国画研究室
艺术教育
北平时期
Huang Binhong
Chinese Painting Research Office
art education
Peiping period