酒神的感召与显现:维·伊万诺夫的悲剧创作及美学原则

Appeal and Appearance of Dionysus:On Ivanov’s Tragedy and Its Aesthetic Principles

维·伊万诺夫是俄国象征主义流派中最为重要的戏剧作家和理论家之一,悲剧艺术在其美学体系中意义深重。对他而言,悲剧是一种综合性的艺术,它打破了单一艺术的壁垒,因而扩展了感官的外延,使其成为对隐秘真理世界进行感应的渠道,也是在现实中依靠内在经验对世界进行艺术化改造的时空。伊万诺夫的理论植根于古希腊酒神崇拜中的神秘主义,结合俄国精神中的东正教信仰及人民根基性,试图借悲剧艺术解决世纪初艺术家的个体主义危机,实现与人民的和解,所以悲剧是他对人类社会形态的剧场乌托邦构想。

V.Ivanov was one of the most important play writers and theorists in the Russian Symbolism,with tragedy art taking great significance his its aesthetic system.For him,tragedy is a synthesized art,which breaks the barrier of single art,expands the sensory extension,and makes it a channel for sensing a hidden world of truth.The theory of Ivanov is rooted in the mysticism of the ancient Greek Dionysian cult,integrating Russian cultural aspects,such as the orthodox faith and the pochvennichestvo of people,with which Ivanov intended to solve the artist’s crisis of individualism at the turn of the century and achieve the reconciliation between the artist and other.Hence,tragedy is his theatrical utopia of the ideal human’s social form.