从《全唐诗》看唐代诗人笔下的新罗形象

On the Tang Literati’s Understanding of Silla in Poems of the Tang Dynasty

朝鲜半岛上古、中古的历史和文学典籍由于战乱等历史原因大多遗失,如今只剩下《三国史记》《三国遗事》等少量典籍;而同时期中国与朝鲜半岛交流的记载则主要体现在中国正史中的朝鲜半岛史料及以《全唐诗》为代表的历史、诗歌典籍上,且从文本的数量与内容上看新罗最丰富、最详细。因此,为了探究唐朝时期中国文人对朝鲜诗人的认知,可以把《全唐诗》视为一个文学史料库,以新罗为中心,通过《全唐诗》中所辑录的诗歌能够清楚地看到中国文人对朝鲜整体、诗人及诗作的认知及变化。一方面可以拓宽《全唐诗》的研究领域;另一方面为全面了解该时期朝鲜的形象,研究中朝两国的文学交流以及朝鲜汉文学的发展提供有力的帮助。

Due to historical reasons,large numbers of historical and literary classics in the period of the Three Kingdoms of Korea and the period of the unification of Silla were lost,leaving only few classics like Samguk Sagi,Samguk Yusa and so on.The communication between China and Korea was mainly presented in literary classics represented by Korean historical materials and Poems of the Tang Dynasty;from the amount and contents of the texts,those relating to Silla are the richest and most detailed ones,while those about Goguryeo and Baekje are relatively fewer.Therefore,Poems of the Tang Dynasty can be taken as a historical data bank for studies on the Chinese poets’cognition of Korea poets in the Tang dynasty.With Silla as the center,we can learn about the Chinese poets’cognition of Korea in general,the literary communication between China and Korea and the development of the Han literature in Korea.