摘要
1946年,国共两党爆发全面军事冲突。除了军事上的对抗外,舆论宣传也成为重要的对抗方面。为此,中共为保存宣传队伍,从国统区主要城市转移相关人员至香港。赴港的左翼美术阵营人士在香港工委文委的组织下成立美术社团"人间画会",鉴于香港观众与内地观众在社会文化和政治感受上存在差异,一方面,他们仍然坚持战前受到左翼文艺思想影响的创作理论;另一方面,则主张解放形式,不被流派束缚的表现方法。在这一策略的指导下,"人间画会"举办了一系列展览,出版了众多书籍杂志,宣传了中共的政治理念,对战后中共在香港的宣传工作起到了积极作用。
In 1946,the military conflict between the Communist Party of China and Kuo Min Tang broke out.In addition to the military confrontations,public opinion and publicity played an essential role in the conflict.To protect the publicity personnel,CPC relocated them from the major cities controlled by Kuo Min Tang to Hong Kong.The Left fine artists in Hong Kong,with the support of Hong Kong industrial and cultural committees,founded the RenJian Arts Association.As the audiences in Hong Kong and China's Mainland had different interpretations about the social,cultural and political implications of the works of the fine arts,the relocated left wings called for adopting new expression forms and getting rid of the constraints of schools,while following the original literary and artistic thought.The Association held a series of exhibitions and published many books and magazines,promoting the political ideas of CPC and playing a positive role in the publicity cause in Hong Kong after the war.
出处
《美术》
CSSCI
北大核心
2021年第5期84-92,共9页
Art Magazine
关键词
战后香港
中共宣传策略
人间画会
post-war Hong Kong
propaganda policy of CPC
the RenJian Arts Association