多重证据法与贵州岩画的文化释读

Multiple Evidence Method and Cultural Interpretation of Guizhou Rock Paintings

以多种证据考订分析具体文化事像对史实进行求证的方法,这在当代的学术研究中已经逐渐得到广泛的使用。20世纪以来的贵州岩画研究中,考古工作者为我们提供了丰富的第一手田野调查资料,但由于视角不同,很多研究缺少从多学科的视野对具体问题作出客观公正且难以让人信服的结论,贵州岩画的研究亦是如此。贵州岩画的图像有动物中的马、牛、狗、鸟等,也有在表演原始宗教舞蹈动作形态中的人以及各种狩猎的器物和祭祀场景等等。结合汉文典籍文献、民间风俗传统、口碑古籍资料、考古发掘物证等多重证据法对贵州岩画进行文化释读,为复原早期人类历史记忆提供科学的依据。

The method of examining and analyzing specific cultural events by multiple evidences has been widely used in contemporary academic research.In the study of Guizhou rock paintings since the 20th century,archaeologists have provided us with abundant first-hand field investigation data.However,due to different perspectives,many researches lack objective and impartial conclusions on specific problems from a multidisciplinary perspective,which is also true of Guizhou rock painting research.The images of Guizhou rock paintings include horses,cattle,dogs,birds,etc.,and people performing primitive religious dance movements,as well as hunting objects and sacrificial scenes.The cultural interpretation of Guizhou rock paintings is carried out by combining the literature of Chinese classics,folk customs,ancient books of mouth,archaeological evidence and other evidence methods,which provides scientific basis for the restoration of early human historical memory.