摘要
青年“手作族”指的是热衷于手工劳作的都市青年新族群。在高度依赖自动化、智能化的现代社会,都市人大多忽视和远离了手工劳作,然而青年“手作族”却重新关注、回归以手为核心的身体实践。这种身体实践起始于从身体出发的兴趣探索,再内化为日常惯习的身体技艺,最终以地摊作为身体出场的景观,完成了媒介化与娱乐化的身体展演。其间,青年“手作族”呈现出自我主体性、多元创造性和审美趣味性的族群文化,同时面临着玩乐与谋生、生产与损耗、美好表象与困境遮蔽等现实矛盾。
Youth“Handmade Clan”refers to the new urban youth groups who are keen on hand-made.In a modern society highly dependent on automation and intelligence,most urban people ignore or stay away from manual labor.However,the youth“Handmade Clan”returns to and develops the body practice with taking hands as core.This kind of body practice starts from the interests exploration of the body,and then internalizes into the daily body crafts.Finally,it takes stalls as the spectacles of the body to complete the body exhibition and performance with mediatization and entertainmentization.At the same time,the youth“Handmade Clan”presents the ethnic culture of self subjectivity,multiple creativity and aesthetic interest,facing with beautiful appearance and difficult position cover,such as playing and making a living,production and loss,appearance and concealment.
作者
张庆梅
黄海光
Zhang Qingmei;Huang Haiguang(School of Sociology,Nanjing University,China Cultural Image Communication Research Center,Beijing Normal University at Zhuhai)
出处
《当代青年研究》
CSSCI
2021年第3期60-65,共6页
Contemporary Youth Research
关键词
青年“手作族”
身体实践
兴趣探索
身体技艺
地摊景观
Youth“Handmade Clan”
Body Practice
Interest Exploration
Body Crafts
Stalls Spectacles