中国演剧体系构想

Thoughts on Chinese System of Dramatic Performance

本文梳理了斯坦尼斯拉夫斯基演剧体系在中国的传播及发展路径与动因,并指出其中出现的偏差,由此引发对建设中国演剧体系的思考与构想。作者认为,在前辈建树的基础上,根据目前中国演剧体系的实际构成情况,通过丰富的"表现形式"揭示舞台创作的"内在规律",创造性地进行富有中国民族文化特色的现代美学表达,进而形成"中国演剧学派",构建"中国演剧体系"。这也是时代赋予戏剧人的责任和使命。

This paper summarizes the path and motivation of the spreading and development of Stanislavsky’s System of Dramatic Performance in China, and points out the deviation happened in the procedure, which therefore leads to the thoughts and designs on establishing China’s own system of dramatic performance. The author believes on the basis of the achievements made by the predecessors, and the actual composition of the current Chinese dramatic performance system, we can creatively express modern aesthetics with affluent Chinese national cultural characteristics, through the rich "forms of expression" to reveal the "internal law" of stage creation. Furthermore, we can make efforts to form a "School of Chinese Dramatic Performance" and establish a "System of Chinese Dramatic Performance". This is also the responsibility and mission of the times for theatre practitioners and professionals.