突破与建构:中国现代戏剧影视演员训练与培养的探索实践

Breakthrough and Construction: On Actor Training of Drama, Film and Television in Modern China

中国现代戏剧影视演员训练与培养的探索实践从学习和运用斯坦尼斯拉夫斯基演剧体系开始,到广泛吸收和借鉴世界先进的表演训练技法,再到融通古今中外的表演艺术精髓建构"中国学派"演员训练体系,历经数十年的发展虽已取得一定的成就,但仍存在局限与不足。我们对于斯氏体系的学习还不够系统、深入,对国外新潮的训练技法和艺术经验还未能做到有分析、有选择、有批判地吸收和借鉴,未来应当在兼收并蓄中保持自身特色,在创新转化中彰显民族气质。

In Modern China, the exploration and practice in the training and cultivation of drama, film and television actors begins with the study and application of the Stanislavsky System, to the extensive absorption and reference of the world’s advanced performance training techniques, and finally ends up with the constructing of the "Chinese School" actor training system by integrating the essence of various performing arts of all times and in all countries to construct. After decades of development, although certain achievements have been made, there are still limitations and deficiencies. We are not systematic and in-depth enough in the learning of the Stanislavsky System, and we have not yet been able to take in and learn from the new trends of foreign training techniques and artistic practice with critical analysis and cautious selection. In the future, we should be eclectic while maintaining our own characteristics, in the meantime, show our national temperament in the process of innovation and transformation.