亚历山大·莫尔夫:变革的导演及其集体剧场

Alexander Morfov,the Director Who Makes a Difference,and his Collective Theatre

本文介绍了当今最杰出的保加利亚导演亚历山大·莫尔夫(Alexander Morfov)的作品和导演方法。从莫尔夫学习戏剧导演、木偶表演、电影导演的求学生涯,到两次担任保加利亚国家剧院艺术总监,以及圣彼得堡科米萨泽夫斯卡娅剧院首席导演,本文概述了他的艺术历程和代表性风格,重点讨论莫尔夫如何将木偶和戏剧的美学融合而成一种新戏剧现实。此外讨论了莫尔夫剧场中景观与哲学之间的平衡,以及他重温同一部经典剧作的倾向,这一倾向产生了视觉相似但实际差异很大的作品,这归功于他倚赖演员的集体创作方法。本文也涉及俄罗斯或更准确地说是斯坦尼斯拉夫斯基在保加利亚剧场的血脉/联系,而莫尔夫作为导演则继续并发展了这一传统。

The article is an introduction to the oeuvre and directorial approach of Alexander Morfov,indisputably the most prominent contemporary Bulgarian director at home and abroad.It’s an attempt to outline his artistic profile and signature style following his development from a graduate in Directing for Drama,Puppet Theatre and Directing for Film to the head of the National Theatre in Sofia(twice)and chief stage director at the Komissarzhevskaya Academic Drama Theatre,St.Petersburg.The focus of this article is on what he has done in reality like melting of the aesthetics of puppetry performance and the aesthetics of drama into a new theatre.Other focuses are the invariable balance between spectacle and philosophy in his theatre,his propensity of redirecting one classical play,resulting in visually similar,yet stunningly different productions due to his collective creative method.The article also engages in some links with Russian,especially,the Stanislavski’s connection in Bulgarian theatre,and Morfov as the director is keeping continuing this traditional lineage.