视角拟代 一线贯通——电影《建党伟业》中毛泽东形象的叙事功能

Perspective Simulation,One-Line Penetration:The Narrative Function of Mao Zedong’s Image in the Movie The Great Cause of Party Building

电影《建党伟业》在毛泽东形象的外形考量、功业定位、情爱叙写、出路追问等方面都倾注了心血。较之其他人物,电影还清晰地叙述了青年毛泽东的生活轨迹,并通过毛泽东关于中国出路的思考与追问来结撰内外兼顾的电影线索,彰显建党救国的电影主题。电影赋予毛泽东形象参与者、见证者、思考者、记录者、阶段性总结与开启者等多重身份及导演与观众多重视角的方法,也可为主旋律电影的历史想象与现代表达提供借鉴。

The movie The Great Cause of Party Building has devoted much effort to the appearance of Mao Zedong’s image,the positioning of his achievements,the description of love,and the questioning of the way out.Compared with other characters,the film also clearly narrates the life trajectory of young Mao Zedong,and through Mao Zedong’s thinking and questioning on the way out of China,it compiles both internal and external film clues,highlighting the movie theme of building the Party and saving the country.The film gives Mao Zedong multiple identities as a participant,witness,thinker,chronicler,summarizer and initiator,as well as the way in which the director and the audience have multiple perspectives,providing reference for the historical imagination and modern expression of the main melody film.