摘要
该文为作者所创伏羲学的第三部分《青铜之道》系列论文之九。根据考古、文献双重证据,论证青铜图法的"战国之变",导致春秋蟠螭纹被微型化为战国蟠虺纹,阐释其宗教神话政治内涵。
This paper is the ninth of a series of papers in The Way of Bronze, the third part of Fuxi study created by the author. Based on the archaeological and documentary evidence, this paper demonstrates that the "change in Warring States Period" of bronze drawing method led to the miniaturization of Spring and Autumn’s Panchi pattern into Warring States’ Panhui pattern, and explains the political connotation of its religious myth.
出处
《社会科学论坛》
2021年第3期4-28,共25页
Tribune of Social Sciences
关键词
青铜图法战国之变
战国蟠虺纹
S形蟠虺纹
G形蟠虺纹
晋楚斗图
楚式失蜡法
晋式错金银
万舞纹
the change of bronze pattern in Warring States Period
the pattern of Panhui in Warring States Period
the pattern of Panhui in S-shape
the pattern of Panhui in G-shape
the figure of"Dou"between Chu and Jin
the method of losing wax in Chu style
gold and silver inlaying in Jin style
and the pattern of"卍"dances