一部文学跨学科研究的力作——评《文学阅读的文本世界研究——认知诗学与文学批评的界面》

An in-depth academic monograph in interdisciplinary study of literature:A review of A Text World Approach to Literary Reading:An Interface between Cognitive Poetics and Literary Criticism

《文学阅读的文本世界研究——认知诗学与文学批评的界面》以文本世界理论为基础,着重探讨了文学阅读活动中的3个要素——文学叙事交流、人物的虚构思维和文学审美中的情感体验,并以美国黑色幽默小说流派的3部代表作品——《第二十二条军规》、《五号屠场》和《漂浮的歌剧》为研究对象加以细致分析。专著融合多学科知识,在认知诗学的框架下拓展了文学批评的研究范式,体现了专著的界面性质;与以往文学批评的研究对象不同,该著作聚焦真实读者的自然阅读,旨在挖掘文学阅读的认知机制;全书贯穿问题意识和创新思维,对从事相关研究的学者们具有较强的启发性。总之,该著作是一部具有理论高度、研究范式新颖、研究视角独特、写作技巧深厚的学术佳作,为国内文学的认知研究提供了参考和借鉴。

Based on text world theory,A Text World Approach to Literary Reading:An Interface between Cognitive Poetics and Literary Criticism discusses three issues in the process of literary reading—literary narrative,fictional mind of characters and emotional responses,and analyzes three representative American black—humor fictions—Catch-22,Slaughterhouse-Five and The Floating Opera through a text world approach.It integrates multidisciplinary knowledge and broadens the research paradigm of literary criticism,which embodies the characteristics of interface studies.Different from traditional literary criticism,this study focuses on actual reader's natural reading so as to explore the cognitive mechanism of literary reading;the monograph will enlighten other scholars since it is issue-oriented and full of creative thinking.In a word,with great theoretical significance,original research paradigm,unique perspective and mature writing skill,the monograph provides a good example for domestic scholars to conduct cognitive literary studies.