摘要
沙青导演的纪录片《独自存在》,是目前国内为数不多的突破单一运用同期声在声音剪辑方面有很多创造性尝试的一部作品.从影片的声音细节入手,本文细致入微地解析了一部纯粹以感觉经验书写的纪录片在听觉方面———包括对白、音乐和噪音———可以如何进行艺术处理.
Lone Existence is a documentary directed by director Sha Qing.This film breaks through the single use of simultaneous sound and has many creative attempts in sound editing,which is very rare in China.Starting with the sound of the film,this article makes a detailed analysis on how a documentary created purely with sensory experience can be artistically processed in terms of auditory sense including dialogue,music and noise.
出处
《媒介批评》
2020年第1期99-107,共9页
Media Criticism
关键词
独自存在
声音
感觉
创作
Lone Existence
Sound
Sense
Creation