摘要
《声临其境》是2018年湖南卫视推出的全国首档原创声音魅力竞演真人秀,该节目播出后获得了极大的成功,网络播放量已超10亿.本文从文化研究的路径出发,分析了《声临其境》的电视文本建构特点,即通过吸纳互联网超文本的特性对其进行仿拟建构出一个“类超文本”,从而创造出了一种能够突破电视剧收视群体圈层的新文本,体现了互联网思维在电视节目创新中的重要意义.同时,本文还分析了《声临其境》通过类超文本的形式,将声音景观建构成可见影像的策略以及其中体现出来的文化政治.
THE SOUND is the first original reality show about sound launched by Hunan TV in 2018.The program was very successful after it was broadcast,and the network broadcast volume has exceeded 1 billion.Based on the approach of cultural study,this paper analyzes the characteristics of the construction of text in THE SOUND,that is,by simulating the characteristics of Internet Hypertext,it constructs a“hypertext-like”,thus creating a kind of the new text that can break through the circle of television audience and reflects the importance of Internet Thinking in TV program innovation.At the same time,the article also analyzes the strategies of constructing the sound landscape into visible images and the cultural politics embodied in THE SOUND.
作者
张斌
刘玲
Zhang Bin;Liu Ling
出处
《媒介批评》
2020年第1期189-204,共16页
Media Criticism
