摘要
在一场以断头台为中心的死亡演出中,受刑者、施刑者和观众各自扮演着重要角色.受刑者在断头台的威力之下将恐惧公之于众,而施刑者与断头台协同完成下达的死亡指令,在观众的狂呼呐喊中,断头机成为广场中心的王,以人血凝成的帽子为自己加冕.这四者之间彼此互动、相互联系,上演着一幕幕不同脚本的人间悲剧.在歇幕的间隙,我们得以回顾剧情,思索断头台折射的人性的软弱、矛盾与光怪陆离.
The executed person,the executioner and the spectator each plays an important role in a performance centered on a guillotine.The executed person exposes his fear under the power of the guillotine,and the executioner and the guillotine cooperate to complete the death command.In the revelry of the audience,the killing machine becomes the king of the square center.These four factors interact with each other and together form a human tragedy.In the gap between the theater,we are able to review the plot and think about the weakness,contradiction and eccentricity of the humanity reflected by the guillotine.
出处
《媒介批评》
2020年第1期257-269,共13页
Media Criticism
关键词
断头台
受刑者
施刑者
观众
Guillotine
Executed Person
Executioner
Spectator