摘要
本文研究了东渡日本传法的隐元隆琦禅师顶相中的题赞,通过对两种类型顶相题赞的总结和分析,对其发展脉络进行了梳理。首先从隐元的用印和落款来看,引首印是隐元表明自己传法身份的关键,落款印则体现了隐元的法号和形象。第二,隐元坚持为顶相题写赞语到去世的当年。早期的字体构型疏松,笔触狂放,大小变化明显。至晚年字形匀称,连笔绵密,字间距较小,运笔更为圆熟灵动。第三,从题赞内容来看,内容反映了临济宗赞语粗犷犀利、不拘一格的特色,体现了“渡海传法”的勇猛面貌,“临济正宗”的嗣法身份。
In this paper,the author studies the theme of the top phase of the Zen master Takashi who crossed to Japan to teach the Dharma.Through summarizing and analyzing the two types of the top phase of the theme of the top phase,the author sorts out the development of the theme.First of all,from the perspective of the seal and signature of hidden yuan,the first seal is the key to show the identity of hidden yuan,and the signature reflects the name and image of hidden yuan.Second,Yin Yuan continued to write praise for the top phase until the year of his death.The early font configuration is loose,the strokes are wild,the size changes are obvious.To the old age,the form is symmetrical,the word spacing is small,the pen is more mellow and clever.Third,from the point of view of the content of the praise,the content reflects the characteristics of the bold and sharp praise of the Linji Zong,reflects the brave appearance of"crossing the sea to pass the Fa",and the identity of"the authentic Linji".
作者
施錡
Shi Qi(East China Normal University,Shanghai 200062)
出处
《新疆艺术学院学报》
2021年第2期38-51,共14页
Journal of Xinjiang Arts University
基金
中央高校基本科研业务费项目华东师范大学引进人才启动费项目批准号43800-20101-222084
关键词
黄檗宗
顶相
隐元隆琦
题赞
临济宗
Huang Bozong
Top Phase
Yin Yuan Longqi
Title Praise
Rinzai Zen