浅论《聊斋志异》中狐女和鬼女的形象异同

On the Similarities and Differences between the Images of Fox Female and Ghost Female in Strange Stories from a Chinese Studio

《聊斋志异》中狐女和鬼女所占的篇幅比重较多,阳光明媚的狐女和凄美哀怨的鬼女两者有着不同的文化渊源,狐性和鬼性在她们身上得到诠释,但她们又具有人性,而且个性迥异。这种狐性、鬼性与人性的完美结合,使狐女、鬼女的形象更加丰满深刻,而两者形象的塑造,则往往是为了满足落魄书生的物质和精神需求,这不仅体现了一生穷困潦倒的蒲松龄的美好心愿,更反映了当时科举制度下文人士子的共同理想追求,也揭示了社会的黑暗,同时也暗含了男权社会下女性地位的卑微,也在某种程度上表达了女性意识的崛起。

In Strange Stories from a Chinese Studio the fox girl and the ghost woman occupy a large proportion of the space.The sunny fox girl and the mournful ghost woman have different cultural origins,and the fox and ghost nature are interpreted in them,but they also have human nature and have very different personalities.This perfect combination of fox nature,ghost nature and human nature makes the images of fox women and ghost women more plump and profound,and the two images are often shaped to meet the material and spiritual needs of fallen scholars.this not only reflects the good wishes of Pu Songling,who was impoverished all his life,but also reflects the common ideal pursuit of the scholars under the imperial examination system at that time,and also reveals the darkness of the society.At the same time,it not only implies the humble status of women in the patriarchal society,but also expresses the rise of female consciousness to some extent.