3Bordwell, David, 1985, "Classical Hollywood Cinema: Narrational Principles and Procedures ", in Philip Rosen (ed.), Narrative, Apparatus, Ideology: A Film Theory Read- er, New York: Columbia University Press, pp. 17 -34.
4Bordwell, David and Kristin Thompson , 1997, Film Art : An Introduction (5th edition), McGraw - Hill.
5Crawford, Peter, 1992, "Grass : the Visual Narrativity of Pastoral Nomadism", in Peter Crawford and Jan Ketil Si- monsen (eds.), Ethnographic Film Aesthetics and Narrative Traditions, Aarhus : Intervention Press, pp. 121 - 138.
6De Bromhead, Toni, 1996, Looking Two Ways: Docu- mentary Film's Relationship with Reality and Cinema, H jb- jerg: Intervention Press.
7Grimshaw, Anna , 1995, Conversations with Film- mak- ers : Melissa Uet-lyn - Davies, Cambridge: Prickly Pear Press.
8Henley, Paul, 2006, "Narratives : the Guilty Secret of Ethnographic Documentary?", in Metje Postma & Peter Ian Crawford (eds.), Reflecting Visual Ethnography: Using the Camera in Anthropological Research, H jbjerg and Leiden: Intervention Press & CNWS Publications, pp. 376 -401.
92007, "Beyond the Burden of the Real: Anthropolog- ical Reflections on the Technique of a Masterful Cutter", in Ilisa Barbash and Lucien Taylor (eds.), The Cinema of Robert Gardner, Oxford: Berg, pp. 33-57.
102009, The Adventure of the Real: Jean Rouch and the Craft of Ethnographic Cinema, Chicago and London: Univer- sity of Chicago Press.
