摘要
分析美学家诺埃尔·卡罗尔指出,尽管艺术哲学与美学学科之间有着密切的关系,但二者是两个存在交叉实则相互独立的学科领域。两个学科之间的交叉点为艺术的审美理论,主要形成于美学向艺术哲学演变过程中,无功利的审美作为美学学科的核心与艺术本质的结合,使得艺术哲学和美学之间造成长久的混淆。卡罗尔通过对艺术哲学与美学混淆的历史与原理的辨别指出,艺术哲学研究范畴较美学宽广,包括核心问题艺术本质,以及与艺术本质相关的艺术定义、艺术本体、艺术经验、审美经验等多个重要问题。艺术哲学的潜在基本任务是将正在出现的新作品尤其是革命性作品,归为艺术家族而提供理论手段。
Analytical aesthetician Noёl Carroll pointed out that although there is a close relationship between art philosophy and aesthetics,art philosophy and Aesthetics should be two overlapping but independent fields.The intersection between the two disciplines is the aesthetic theory of art,which is mainly formed during the evolution of Aesthetics to art philosophy.As the core of aesthetics discipline and the combination of the essence of art,aesthetics without utilitarianism has made a long-standing relationship between art philosophy and aesthetics.By distinguishing the history and principles of the confusion between art philosophy and Aesthetics,Caroll pointed out that the scope of art philosophy research is broader than Aesthetics,including the core issues of art essence,as well as art definitions,art ontology,art experience,and aesthetic experience related to art essence.The underlying basic task of the philosophy of art is to classify emerging new works,especially revolutionary works.
作者
周尚琴
ZHOU Shangqin(School of Humanities, Southwest Jiaotong University, Chengdu Sichuan 611756, China)
出处
《成都理工大学学报(社会科学版)》
2021年第3期40-45,共6页
Journal of Chengdu University of Technology:Social Sciences