摘要
闽南和台湾关帝祭典仪礼承载着弥足珍贵的闽南传统舞蹈和中国古代乐舞文化遗产。立足田野调研,借鉴民俗学、音乐舞蹈学与人类学研究方法,阐释闽台关帝信俗仪式雅乐佾舞的本土化承继与多元一体的雅俗交融共生结构,解析仪俗舞蹈的闽海色彩与创新特质,诠释其蕴含"忠义"符号的儒学文化内核,以期为闽台传统乐舞的传承创新和两岸亟待复兴的祭关乐舞交流建构提供理论参照。
The sacrificial rites of Lord Guan in Minnan and Taiwan carry the precious Minnan traditional dances and the cultural heritage of ancient Chinese music and dance.Based on field research and research methods of folklore,music and dance and anthropology,the paper tries to explain the localized inheritance of the dance in the rituals of belief in Lord Guan in Minnan and Taiwan and the symbiotic structure by integrating elegance and vulgarity.It analyzes the coastal and innovative characteristics of the dance and interprets its Confucian cultural core containing the symbol of"loyalty",hoping to provide a theoretical reference for the restoration and innovation of traditional music and dance and those in the sacrificial rites of Lord Guan in Minnan and Taiwan.
出处
《闽南师范大学学报(哲学社会科学版)》
2021年第1期41-49,共9页
Journal of Minnan Normal University:Philosophy and Social Sciences
基金
国家社科基金冷门绝学和国别史重点研究专项(19VJX151)
福建省社科研究基地重大项目(FJ2018JDZ049)。
关键词
闽台关帝信俗
仪式乐舞
承继与创新
belief in Lord Guan in Minnan and Taiwan
ritual music and dance
inheritance and innovation