论张爱玲的“出走”文化心理及其文学投射

On Eileen Chang’s Cultural Psychology of“Running Away”and its Literary Projection

自张爱玲以"出土作家"的身份在大陆由黑翻红,"张学"研究至今蔚为大观。纵观这些研究成果,将张爱玲从时间上切割、在文学史框架里进行主观性安放等研究范式层出不穷,以至真实的张爱玲逐渐被遮蔽。从"出走"这一贯通张爱玲生命轨迹的视点出发,分析早期母系"出走"对张爱玲生命意识及价值判断的影响;其后基于个体"出走"经验,解读"男女小事"的题材创作与"五四"时期的"娜拉出走"是如何实现内部接续与超越;最后通过晚年的双语创作现象,剖析张爱玲放缓"出走"、潜在复归的文化心理,以此观照张爱玲完整而立体的一生。

Since Eileen Chang became popular as an"unearthed writer"in the mainland,the studies of"Zhang"have presented a splendid sight.The research results show that she has been separated chronologically and placed subjectively in the framework of literary history and the real author has gradually become obscure.This paper,from the perspective of"running away",which links Eileen Chang’s life track,analyzes the impact of the early maternal"leaving home"on her life consciousness and value judgment and,based on the individual"running away"experience,explains how the theme creation of"little things between men and women"and"Nora’s leaving home"in the May 4 th period realize internal succession and transcendence.Finally,it analyzes Chang’s cultural psychology of slowing down her"leaving home"and potential returning,so as to observe her whole and three-dimensional life,through the bilingual creation in her later years.