“共同体美学”与亚洲电影

Community Aesthetics and Asian Film

随着"作为方法的亚洲"和"作为方法的亚洲电影"进入电影研究中,亚洲电影的主体性、差异性和多样性,相关史论的知识整理和方法探索,以及具体的影像语言等成为关注的重点。由此可见,考察"亚洲电影"需要秉持多元异质的视野,才能深入其肌理。海外学术界的研究成果无疑能提供参考,而从中国电影经验出发的"共同体美学",也在提供另一种思考。这一立足实践、提供交流空间、增加文明文化复建的理论,是对亚洲电影的再认识、再研究和再阐述。

"Asia as a method" and "Asian film as a method" bring several focuses to film research:(1)the subjectivity, difference and diversity of Asian films,(2)the knowledge arrangement and method exploration of relevant historical theories,(3)and the specific image language. The study of "Asian Film" needs to uphold the vision of diversity and heterogeneity in order to go deep into its texture. The overseas research can provide reference, and the"Community Aesthetics" based on the experience of Chinese film also provides another kind of thinking, which is a reunderstanding, re-research and re-elaboration of Asian films.