“垮掉”的结尾与当前电影叙事的转向

Unfinished Ending and the Turn of the Current Film Narrative

反结局、零结局、多结局现象在近年的电影中越来越多。结尾丧失了终止历史的权威和震撼人心的力量,故事毫无征兆地终结了。"垮掉"的结尾不应被视为故事局部的简单变化,而是当前电影叙事转向的某种症候。它表明:一,故事对知识生产的兴趣降低了,叙事本质正从论证话语转向描述话语;二,观众对结构化的时间产生审美疲劳,故事诉求正从认知转向游戏;三,创作者的叙事权威正处于自我贬损的焦虑状态,叙事话语机制的主导者正从述者向观者转移。

The phenomenon of anti-endings, never endings, and multiple endings has become more and more frequent in movies of recent years. Unfinished ending is a symptom of the narrative turn of the current film. It shows: 1. The essence of narration is shifting from argumentative discourse to descriptive discourse;2. The appeal of the story is shifting from cognition to game;3. The leader of the narrative discourse mechanism is shifting from the narrator to the viewer.