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2020年世界纪录片发展态势 被引量:1

Development Situation of World Documentary in 2020
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摘要 2020年全世界在新冠肺炎疫情中煎熬,电影票房一落千丈,流媒体却获得爆发式增长。传统媒体积极开拓新媒体平台,而新媒体有向传统媒体转回的动作,世界传媒版图呈现出流动性。如今媒体集团正在建立新的生态系统,打破平台阻隔、深度融合,作品的播出也向大中小三种屏幕拓展。从制作策略来看,频道预算向名人参与、塑造品牌的大制作倾斜。从题材来看,疫情是纪录片重要议题,真实罪案题材爆款频出,蓝筹纪录片仍是产业重心,但环保是绕不开的因素。 Suffering from the COVID-19 pandemic in 2020, the world witnessed a plummeting box office of films, yet an exponential growth of streaming. In an ever-flowing global media landscape, linear TVs expanded their new-media domain, while new media tended to a reversed path. Media groups were dedicating to a barrier-free, highly-integrated platform, as a crucial part of their ecosystems. On one hand, big productions with celebrities and brandbuilding effect enjoyed larger budgets, as a production strategy;on the other hand, works centering on true crime and blue-chips embraced a booming era when COVID-19 indisputably crowned itself and environmental protection still had its say.
作者 喻溟 Yu Ming
出处 《电影艺术》 CSSCI 北大核心 2021年第3期117-123,共7页 Film Art
基金 中国纪录片发展研究报告(2021)课题成果 中央高校基本科研业务费专项资金资助(批准号:2019NTSS33)。
关键词 媒体融合 流媒体 疫情纪录片 蓝筹纪录片 罪案纪录片 media convergence streaming media documentary works on COVID-19 blue-chip documentary true crime documentary
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