东方幻景中的“空气感”——赤塚佳仁与《侍神令》的美术设计

The Atmosphere in the Oriental Fantasy Scene: Yoshihito Akatsuka and the Production Design of The Yinyang Master

日本电影美术师赤塚佳仁凭借精致细腻的艺术风格赢得国际赞誉,在电影《侍神令》中,他以无史有根的中国奇幻造型灵感与定位,建立了自身特有的东方原创审美体系。《侍神令》的设计在超现实主义题材影片中强调写实主义手法,营造具有真实感官的现实空间"空气感",造型游离于荒诞与真实之间,以独有的质感和韵味提升了奇幻大片的品质,如同画家用精湛的超写实手法绘制的超现实主义绘画,散发出一种特殊的表现主义风格。

Yoshihito Akatsuka, a Japanese film production designer, has won international acclaim for his delicate artistic style. In The Yinyang Master, he created the inspiration and orientation of the Chinese fantasy style without real dynasty but rooted in historical culture, which establishes its own unique original oriental aesthetic system. The design of The Yinyang Master emphasizes realism in surrealist film, and creates an atmosphere in real space with real senses. Its style wanders between absurdity and reality, which enhances the quality of fantasy films with unique texture and charm, just like the surrealist paintings painted by the painter with exquisite hyperrealism techniques, exuding a particular style of expressionism.