数字媒介时代电影批评场域的资本博弈与自主性重构

The Capitals and Autonomy Reconstruction in the Field of Film Criticism in the Digital Media Era

数字媒介时代的电影批评场域是一个充斥着多种资本的复杂结构,受到文化、政治、经济、技术等诸多因素的制约,不同类型的资本都企图从自己的利益出发定义电影的属性、功能,争夺关于电影意义的合法阐释权。在资本博弈和话语权角逐的过程中,电影批评正在失去审美创作活动的纯粹性,其公信力、权威性也面临着深刻的危机。如何拨开资本和权力的迷雾,重建电影批评场域的文化自主性,促进电影批评和电影创作的理性、健康发展,是数字媒介时代影评人必须直面和反思的问题。

The film criticism field of digital media era is filled with a variety of complex capital structure.The interaction of cultural,political,economic and technological capitals attempts from their own interests to define attributes and functions of movies,and compete for legal interpretation of meaning of movies.In the process of capital game and compete for the right to speak,the film criticism is losing its purely aesthetic creative process,its credibility,authority is also facing a deep crisis.How to sweep aside the capital and power,reconstruction of cultural autonomy film criticism field,and promote film criticism and film—making rational and healthy development of the new media era critics must face and reflect on issues.