摘要
在21世纪以前,黄河以其地理上的横贯、时间上的久远与空间的向心力,共同建构了电影中“黄河影像”与国家、民族同构的神话,但进入21世纪以来,黄河所承载的“家国同构”的象征意义逐渐被消解,取而代之的是被缝合的“家国想象”。从家国同构到想象缝合,不仅是影像的嬗变,更是暴露社会症候的镜像寓言。
Before the new century,the Yellow River with its geographic traversal,and centripetal force in time and space,jointly constructed the grand symbolic myth of the“Yellow River Image”.But after the new century,the symbolic meaning of“home and country isomorphism”carried by the Yellow River is gradually dispelled and replaced by the stitched“home and country imagination”.From the isomorphism of home and country to the stitching of imagination,it is not only the evolution of Yellow River images in the film,but also a mirror that exposes social symptoms.
作者
郎静
颜筱男
LANG Jing;YAN Xiao-nan(School of Art,Hebei University,Baoding 071002,China)
出处
《太原学院学报(社会科学版)》
2021年第3期89-94,共6页
Journal of Taiyuan University(Social Science Edition)
基金
河北省高等学校人文社会科学研究2020年度基金重点项目“电影影像讲述‘黄河故事’的叙事策略研究”(SD201088)。
关键词
21世纪
黄河影像
家国想象
缝合
话语建构
the 21st Century
Yellow River Images
family and country imagination
suture
discourse construction