汉源民俗艺术与文化外交——印尼布袋戏在地重构及其启示

HAN ORIGINATED FOLK ART AND CULTURAL DIPLOMACY:The Local Reconstruction of Puppet Show in Indonasia and Its Suggestiveness

作为汉源文化特征的表现载体之一,印尼布袋戏文化体现着华人眷恋原乡的记忆表征和情怀隐喻。印尼布袋戏在地重构和价值增值的过程和华人文化在地化的历史命运紧密相随。印尼是海外华人最集中的区域,印尼华人经历过被强迫同化的遭遇,根深蒂固的宗族观念和家国情怀激起了华人对中华传统文化的文化自觉。在文化外交的策略中,印尼布袋戏的在地重构和价值增值所展现的文化的调试功能和民俗协商功能,对于处理我国同东盟国家之间的文化外交有现实的借鉴意义。

Indonesian puppet show has gradually taken root in multi-dimension culture field of Indonesia in the tide of Chinese’sailing to the south Asia.As one of expressive carriers of cultural characteristics originated from Han,Indonesian puppet show culture embodies the memory representation and emotion metaphor of Chinese people’s nostalgia.The process of Indonesian puppet show’s local reconstruction and value increasing has been closely related to the historical destiny of Chinese cultures’localization.Indonesia is the region with the largest scale of overseas Chinese population,and Indonesian Chinese have experienced the forced assimilation,which has aroused overseas Chinese’cultural consciousness of Chinese traditional culture due to their deep-rooted clan concept and home-country emotion.In the strategy of cultural diplomacy,the functions of cultural adjustment and custom negotiation displayed by local reconstruction and value increasing of Indonesian puppet show can provide practical reference significance to handle the cultural diplomacy between China and ASEAN countries.