摘要
《我现在诉说的名字》密切关注记忆的伦理和战争对人性的考验。小说并未直接站在战败者一方为其发声,而是藉由文学的审美过程逐渐潜移作品的伦理向度。作者安东尼奥·索列尔凭借独特的叙事艺术,推动读者不断接近并最终认同作品的道德立场。战争在小说中构成了记忆的伦理语境,那些被反复诉说的名字凝聚成了具有独特伦理涵义的记忆符号,作者将自己的伦理立场隐藏在见证者摄影机般记录的目光之后,以"迷宫"隐喻深层次揭示战争的罪恶,引导今天的人们直面过去,实现真正意义上的和解与救赎。
El Nombre que Ahora Digo does not speak for the defeated by standing on their side. Instead, it reveals gradually its ethical perspective by the aesthetic process. Focusing on the ethics of memory and the test of war on human nature, Antonio Soler integrates his writing intentions into a unique narrative art, which becomes a secret path that drives readers to approach to and finally agree with the moral stance of the work. In this ethical context of war, those names of ordinary people which are repeated over and over, turn into memory symbols with unique ethical implications. Soler hides his ethical position behind the photographic record and uses "labyrinth" to metaphorize a deeper reveal of the evil of war, so as to guide nowadays people to face the past in order to achieve a real reconciliation and redemption.
作者
邹萍
Zou Ping(School of Foreign Languages and Literature,Fudan University,Shanghai,China)
出处
《外国文学》
CSSCI
北大核心
2021年第3期150-160,共11页
Foreign Literature
基金
国家社科基金青年项目“当代西班牙内战题材小说研究”(16CWW031)。
