摘要
新时期初年主流电影呈现出多元的创作谱系——既有表现正面战场的战争片,也有带有个人传奇色彩的谍战惊险片,既有表现阶级仇恨的历史片,也有谱写人性之歌的剧情片。这些影片试图恢复"十七年"革命浪漫主义文艺传统,通过对民族史诗、战地柔情和个人传奇的编码想象,引导观众不断"重返"民族国家创业坚守的艰难时刻,修复与重塑被撕裂的集体记忆和社会认同的同时,也寄托着创作者渴望政治秩序回归正轨的集体无意识。
The production of mainstream films in the late 1970s presented a variety of genre,including war films showing the front battlefield,spy thrillers embedding personal legend,historical films expressing class hatred,and drama films composing songs of human nature.These films attempted to restore the"Seventeen Years"revolutionary romantic literary tradition,through the coding imagination of national epic,battlefield tenderness and personal legend,so as to guide the audience to"return"to the hard times of national state entrepreneurship,repair and reshape the collective memory and social identity.
作者
段善策
Duan Shance(Hainan Normal University,Haikou,Hainan 570000)
出处
《绥化学院学报》
2021年第6期105-108,共4页
Journal of Suihua University
基金
海南省文学艺术界联合会2020年规划课题“海南电影史研究(1926-2020)”。
关键词
主流电影
谢晋电影
谍战片
mainstream film
Xie Jin’s film
spy film