摘要
弗雷德里克·詹姆逊以美国后现代主义马克思主义文艺理论家的学术视野,在“文学批评”“文化研究”“后现代主义艺术研究”等领域,都不同程度地提出了关于艺术生产的理论主张。从其创立“元评论”开始,詹姆逊的文艺生产论转向对文艺生产的文化政治阐释。詹姆逊基于政治无意识和文艺乌托邦关系的探讨,从文艺政治无意识、文艺作者立场、文艺乌托邦话语、文艺共同体结构的艺术生产性语境,进行文化价值立场、文化政治观念、文化意识形态、后殖民主义文化的政治阐释。詹姆逊的这一理论对于理解后工业时代的文化政治问题具有重要的现实启示。
Frederick Jameson,from the perspective of an American postmodernist Marxist literary theorist,puts forward his theoretical views on art production in the fields of“literary criticism”,“cultural studies”,“postmodernist art studies”.Since his foundation of“Metacommentary”,his theory of literary production turned to the cultural and political interpretation of literary production.Based on the discussion of the relationship between political unconsciousness and literary Utopia,he makes a political interpretation in terms of cultural value standpoint,cultural political concept,cultural ideology and postcolonial culture from the artistic productive context of literary political unconsciousness,literary position of author,literary Utopian discourse and literary community structure.Jameson′s theory is of great practical enlightenment for understanding the cultural and political issues in the postindustrial era.
作者
刘鑫
马良
LIU Xin;MA Liang(School of Literature,Yan′an University,Yan′an 716000,Shaanxi)
出处
《延安大学学报(社会科学版)》
2021年第3期90-94,共5页
Journal of Yan'an University (Social Sciences Edition)
基金
延安大学研究生教改重点项目“马克思主义文艺学文献研读体系与路径”(YDYJG2017034)。
关键词
詹姆逊
艺术生产
意识形态
文化政治
Jameson
artistic production
ideology
cultural politics