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略论《髹饰录》设计“楷法”观

A Brief Review on the Concept of "Kai Method" in the Design of Xiu Shi Lu
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摘要 《髹饰录》设计"楷法"观主要是记录漆匠在漆器制作过程中的一些注意事项,具体包括"三法""二戒""四失""三病"四部分内容。"三法"是制作漆器的方法,有"巧法造法""质则人身""文象阴阳"。"二戒"是对漆器制成以后的评价,分为"淫巧荡心""行滥夺目"。"四失"和"三病"则是直接对制作漆器的工匠而言的,强调漆工本身的个人修养问题,批评漆工本身的素质。"四失"指的是"制度不中""工过不改""器成不省""倦懒不力","三病"说的是工匠"独巧不传""巧趣不贯""文采不适"。文章通过设计"楷法"观的描述强调漆器制作方法以及漆工自身综合素养,以便谈古论今,推陈出新。 The design of Kai Method concept in Xiu Shi Lu is mainly to record some attentions in the process of lacquer ware making,including four parts,namely Three Methods,Two Restraints,Four Losses and Three Diseases.The Three Methods are the methods of making lacquer ware,including"skillful methods of making lacquer","qualitative methods of making human body"and"prose like Yin and Yang".Two Restraints is made of lacquer after the evaluation,divided into"lewd and lewd mind""dazzling line".The Four Losses and Three Diseases are directly addressed to the craftsman who makes lacquer ware,emphasizing the painter's personal cultivation and criticizing the painter's quality.Four Losses refers to the"system"to"work"device into unconscious"poor"burnout",Three Diseases are craftsman"alone qiao don't preach""smart fun not consistently"discomfort"gift".Through the description of the concept of Kai Method,this paper emphasizes the method of making lacquer ware and the comprehensive quality of the painters themselves,so as to discuss the past and present and bring forth the new.
作者 张小燕 Zhang Xiaoyan(School of Art and Design,Wuhan University of Technology,Wuhan 430070,China;School of Design,Fujian University of Technology,Fuzhou 350118,China;Research Center of Regional Intangible Cultural Heritage and Design,Fujian University of Technology,Fuzhou 350118,China)
出处 《艺术与设计(理论版)》 2021年第6期134-136,共3页 Art and Design
基金 福建省社科规划项目(编号KY320296)阶段性成果。
关键词 《髹饰录》 楷法 三法 二戒 四失 三病 Xiu Shi Lu Kai Methods Three Methods Two Restraints Four Losses Three Diseases
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